By the end, Ayckbourn turns the stage into a farcical Freudian nightmare, only to ratchet
   the stakes up much higher in the final moment, which the TCL production handles quite well.
 
The handiwork of designers Brian Miller (lights, co-scenic) and Sarah Spencer (co-scenic)
aid the moment's power. Its a minor miracle, as, using just a scrim and effective light plot,
   they've turned the cramped quarters on the Mary Miller stage into something that bolsters
what the actors are doing in the powerful ending. In an instant, an evening's worth of
               chuckles and guffaws turn to gasps.
*** ^½
 - Mark Collins, Boulder Daily Camera